Genre: Domestic Fiction
Pub. Date: September 24, 2019
After reading a mystery, a feel-good story, and a psychological thriller, this reviewer felt overjoyed to sink my teeth into literary fiction once again. I can and do appreciate some contemporary reads, but this mythical novel felt like coming home, especially since the story explores the meaning of home itself. It is not a spoiler to point out that this is a family-saga disguised as a dark fairy tale revolving around a house. The author breathes as much life into the house as the characters. It is not farfetched to say that the house itself is the main protagonist.
The book begins in1946 when a real estate mogul buys a fully furnished, Gatsby-like mansion, as a surprise for his wife. Turns out that she hates the house, but his five-year-old daughter loves it. Their son is born 8 years later. The narrative jumps around in time through the son’s voice. When the boy is three-years-old, his mother deserts the family, leaving the siblings devastated. This is how his older sister becomes his main caretaker. The bond between them is unwavering, even when the boy is a grown man. Their closeness puts a strain on his marriage. When the siblings are 12 and 19 years old, their father marries a young widow with two little girls of her own. The wicked stepmother from Cinderella has arrived. When the older sister visits home during a college break, she discovers that her stepmother has given her bedroom—which is the best room in the house—to her little stepsisters. An unused room in the attic is now her bedroom.
The author does a good job of showing rage through humor throughout the novel. When the older sister learns about the room change she laughs and says, “It’s just like ‘The Little Princess!’ when the girl (Shirley Temple in the movie version of the book), loses all of her money and so they put her in the attic.” She demonstrates this skill with all of her characters, including the loving and long-suffering nanny, cook and housekeeper. The only small room in the house is the kitchen. As the cook says, “that was because the only people ever meant to see the kitchen were the servants.”
It would be wise to remember that you are reading a fairytale, if not the book will feel unrealistic. Put in the fairytale genre the story is as fascinating as the author’s 2011 novel, “State of Wonder,” which also has a mythical feel. “House” stayed with me after I finished the book. I deliberately did not read the initial reviews. (I missed the ARC reviewers’ suggested deadline on this one). I came to believe that the book is mostly a coming-of-age story, as well as a reflection on one’s childhood as an adult. The author seems to ask the question, ‘Why do we repeat the same mistakes as our parents?’ In addition, wonders, ‘Why do some of us have childhoods that could have been written by the Brothers Grimm?’ Finally, ‘What one may need to accomplish to change our life story’s ending?’
I received this Advance Review Copy (ARC) novel from the publisher at no cost in exchange for an honest review.
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